2024 COLLECTIONS OF ARCHITECTURE WORK
Coming to graduation from the University of Sydney's Master of Architecture program in July 2024, I selected a collection of academic and practical work as a demonstration of my aspiring passion in the field of architecture.
RADICAL POWER
Tag:
#ArchitectureSpeculation #SustainableArchitecture #ApativeReuse #SoundArchitecture #UrbanVoidReactivatiion
THE CANOPY
Tag:
#EducationArchitecture #HeritagePreservation #LandscapeDesign
BERLIN STUDIO
Tag:
#ConnectingWithCountry #UrbanVoidReactivatiion #PublicGallery #ResearchInstitution #HeritagePreservation
EMOTION DEPSIT HUB
WORK DRAWING-SETS
Tag:
#Affective Architecture #Emotion #SustainableArchitecture #ApativeReuse #ArchitectureTypology #Phenomenology #CollectiveMemory
RADICAL POWER
Project Status: Academic Project (Groupwork)
Project Year: 2023
Tutor: Dr Dagmar Reinhardt
Location: Sydney Harbour
The School of Architecture, Design and Planning
The University of Sydney
PROJECT INTENTION:
Anchored in the SDG goal 11: Sustainable Cites and Communities, this project aims to create a series of architectural speculations on Cockatoo Island by translating movement extracted from the energy production process into an ever-changing and evolving ambient music piece. The goal is to reveal the continuous functional obsolescence of the old power facility while exploring the emergence of new renewable energy possibilities. The sound design of the music piece draws inspiration from the dystopian sci-fi movie Bladerunner and will be showcased as a sound installation in an airborne observation space, portraying an idealistic carbon-neutral future. The airborne observation space will be situated 300 meters above a surrealistic version of Cockatoo Island. Visitors will be invited to experience the meandering ambient music while witnessing nature’s elements composing the music through clean energy technology in real time.
Taking inspiration from Sola Morales’ ‘Terrain Vague’ and Lebbeus Wood’s ‘Radical Reconstruction,’ our vision is to preserve the continuity of the site without imposing limits, order, or form dictated by the existing urban and social system. Instead, we propose embracing the freedom and experimental spirit to seek a clean future. By presenting this vision, we aim to encourage visitors to reconsider the island’s history of unrenewable energy consumption and explore the opportunities that lie in a more sustainable future. However, we also acknowledge the dystopian world we are currently heading towards.
What if?
Movement Translator Mechanism Design
THE CANOPY
Project Status: Academic Project (Groupwork)
Project Year: 2023
Tutor: Dr Anastasia Globa
Location: Redfern, Sydney
The School of Architecture, Design and Planning
The University of Sydney
PROJECT INTENTION
As a response to the increasing demand for learning space in Sydney and the challenges of operating learning activities in a high-density population in the new normal, a design proposition for an urban vertical high school is proposed and developed.
The newest school on the block. The Canopy is designed as a high-rise school for 1000 students. It features a distinct form with cantilevering forms and an elevated courtyard to allow part of the site to be given back to the community. It is a horizontal extension of Prince Alfred Park and a vertical extension of the existing heritage buildings in which the building forms take inspiration from.
BERLIN STUDIO: NOW YOU SEE ME
The Center of Repatriation of Australian Indigenous Art and Cultural Objects
Project Status: Academic Project (Individual)
Project Year: 2023
Tutor: Dr Deborah Barnstone
Location: Berlin, Germany
The School of Architecture, Design and Planning
The University of Sydney/ Aedes Campus Network Berlin/ Australian Embassy
PROJECT INTENTION
In this project, a repatriation center for Australian Indigenous artifacts is proposed in Mitte, Berlin.
Berlin, the city within a city, is an immensely complex nexus of culture, politics, and economics in Europe, and even on a global scale. After the collapse of the Berlin Wall, what was once a ‘no man’s land’ was vacated and transformed into a series of marginalized urban voids, existing on the periphery of a functional urban matrix. Such urban voids, also referred to as ‘Terrain Vague’ by architect Sola Morales, are undefined and limitless. New purposes and destinies can be freely generated from the historical continuity of the site.
The chosen location for our project, Park am Nordbahnhof, was previously a significant public transportation node, an ex-no man’s land that has been transformed into a public park. It will now embark on a new path that aligns with its historical significance – becoming a hub for connection. Instead of merely physically connecting people to other areas of the city, the new repatriation center will connect Australian Indigenous communities and the global public to the distant lands of Country visually, emotionally, and spiritually.
Connection with Country... Through Songlines
Berlin Wall: Disconnection and the Moment of Reconnection
When the Berlin Wall was erected overnight in August 13, 1961. A physical, economical, social disconnection was implemented in the city and people of Berlin. This wall swiftly transformed into a divider of emotions and spatial perception.
Over almost 30 years of brutal division, there were numerous attempts to restore connections. While the wall halted physical passage, it couldn’t obstruct everything - music, radio, air pollution, and more. Surprisingly, among the things the wall didn’t stop, visual connection, though cracks on the wall, were one of them.
Recorded in historical pictures and archives, people’s attempt of peaking through the wall creates a palette of body posture and movement. A series of illustrations was created to document the body and the wall. This soon became the core focus of the project - how can we design a space that not only reflects this fragment of history but also imbues it with more meaning than merely serving as a reminder of the loss and sadness of war?
To see is to connect.
In the vast constellation of Indigenous Australian knowledge, seeing doesn’t simply mean visual connection. Seeing is an act of connection for your body, mind, and spirit. Gaining a visual connection to the significant object or Country landscape means bridging to their ancestors and wandering through their memories.
An Opened Wall That Reconnects
Aligning to the rear site boundary
Preserving generous open space for front plaza
Floating the building mass
Introducing the kinked & rotated wall
Introducing folding as a gesture of opening and inviting
Moments
Exterior
Interior
EMOTION DEPOSIT HUB
An Affective Approach to Adaptive Reuse Architecture
Project Status: Academic Project (Individual)
Project Year: 2024
Tutor: Dr Duanfang Lu
Location: Waterloo, Sydney
The School of Architecture, Design and Planning
The University of Sydney